- THE CATCHER IN THE RYE PHONY MOVIE
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- THE CATCHER IN THE RYE PHONY TV
THE CATCHER IN THE RYE PHONY TV
Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.Do you remember where you were back on Decemwhen famous former Beatle John Lennon was murdered and shot dead five times outside his home in New York City by gunman Mark David Chapman? Why did he murder the legend? No one really knows for sure but it has been reported that Chapman was a fan of J.D. Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here. “Rebel in the Rye” premiered in the Premieres section of the 2017 Sundance Film Festival. It is currently seeking distribution.
THE CATCHER IN THE RYE PHONY MOVIE
Salinger movie in here, somewhere, but the final result of “Rebel in the Rye” is one too phony to love. However, Strong does find his footing when he weaves in elements from Salinger’s own life that later appeared on the page in both “Catcher” and his various Glass family stories, and it’s those moments that most ably speak to the filmmaker’s desire to illuminate the intangibility of creative genius.
It’s a strange choice that never allows the audience to fully the Salinger’s terror that changed the course of Salinger’s life. It would be difficult to tell the story of Salinger and “Catcher” without chronicling the fallout from the book’s immense success. There’s no question that Salinger’s seemingly instantaneous fame horrified him, certainly enough to send him to his secluded house in New Hampshire where he lived for the rest of his life, but the film only introduces a couple of curious fans (though one is, admittedly, quite unnerving) before Salinger hightails it out of the city. READ MORE: Sundance Past & Present: Seven Hair-Raising Lessons from Returning Filmmakers (Mostly, though, Hoult is just aces in the role.) Similarly, Jerry’s creative impulse is all rushed voiceovers and Hoult telegraphing inspiration by widening of his eyes.
Later, Jerry will be felled by PTSD flashbacks and raging nightmares delivered with a minimum of flair and emotional insight (turns out, if you’ve seen one portrayal of psychological wounds being exacerbated by big crowds and flashing lights, you’ve seen them all). Although Salinger’s war experiences were painfully formative, the film spends about five minutes in the trenches, resulting in a cheap-looking and surface-level examination of the horrors of battle. Of course, life gets in the way, and Jerry is forced to put his big dreams on hold (including his ill-fated relationship with Oona O’Neill, played here by the always-welcome Zoey Deutch) and head across the ocean to fight in World War II.
THE CATCHER IN THE RYE PHONY FULL
It’s Whit who implores Jerry to develop Holden Caulfield into a full novel, pushing Jerry out of his long-time comfort zone of short stories. The pair initially clash (Jerry is, of course, a know-it-all smartass), but a strong friendship develops and Whit’s belief in Jerry’s talents (even if he has a funny way of showing it) helps the young writer come into his own. It’s there that he meets his first mentor, “Story” magazine editor Whit Burnett (an energized Kevin Spacey).
The film opens in 1939, after Salinger had cycled through a number of higher-education institutions, eventually deciding to enroll at Columbia University to study creative writing. While Hoult especially works hard to sell the script, by the time “Rebel” limps toward its epilogue-heavy ending audiences will likely be able to guess every word before it’s on the screen. In introducing his directorial debut to the Sundance Film Festival Tuesday night, Strong made clear his desire that the film speak to the demands and desires of the creative process, and his impulse to make a movie that’s as much about Salinger as it is about being an artist is understandable and even admirable.ĭespite a strong start, picking up just as the 19-year-old “Jerry” announces his intention to go whole hog on this writing thing, “Rebel in the Rye” struggles to maintain its focus and eventually strays from the “Catcher” years to deliver a thin, greatest-hits look at Salinger’s life. A number of lines land with a resounding thud, cruel in a feature dedicated to the craft of writing. Strong is a veteran actor, best known as Doyle McMaster in “The Gilmore Girls” or as Danny Siegel in “Mad Men.” He also won an Emmy for his adaptation of “Game Change,” the story of the 2008 election that became Jay Roach’s HBO movie in 2012. READ MORE: The 2017 IndieWire Sundance Bible: Every Review, Interview, And News Story From The Fest
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